Tag Archives: tUnE-yArDs

Rojak: Music-heavy.

Rojak is a regular collection of assorted links as well as a bulletin summarising the week (or thereabouts) on this blog.

Assorted

Video for James Blake’s new song, “Retrograde”, which will be on his upcoming album Overgrown. [via YouTube]

tUnE-yArDs covers Yoko Ono. [via Pitchfork] You can buy the single over at Yoko Ono’s Chimera Warehouse Store. It’s available as a digital download or on 10″ vinyl.

Speaking of tUnE-yArDs… Austin City Limits. [via Pitchfork]

Details for the new Phoenix album, Bankrupt!. [via Pitchfork]

Radiohead will head back to the studio in September. [via Consequence of Sound]

Colin Meloy sings a bit of R.E.M. [via Consequence of Sound]

It’s really cold in Chicago. [via The Paris Review]

Bulletin

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Sick leave.

I’m too ill today to read anything, so I’ll leave you with some music. [via YouTube]

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Rojak: Bumper edition.

Rojak is a regular collection of assorted links as well as a bulletin summarising the week (or thereabouts) on this blog.

Hello, good morning, and welcome to an especially big edition of Rojak, since we took the weekend off last week.

Before we get started, here’s some music from Cloud Nothings as you read. [via YouTube]

Assorted

On Anne Carson’s Antigonick. [via Time's Flow Stemmed]

Interview with Dirty Projectors, whose latest album Swing Lo Magellan is quite magnificent. [via Pitchfork]

On that topic, Alex Ross listens to Dirty Projectors too. [via Alex Ross: The Rest Is Noise]

A Stephen Collins comic. [via The Guardian]

“I believe in them and the music that they will make. I love Girls and I always will. That faith overshadows the pain of saying goodbye with the eagerness to say hello, to whatever future is to come.” Saying goodbye to Girls. [via True Panther]

You can read the whole of G.K. Chesterton’s The Man Who Was Thursday online. [via Conversational Reading]

Kafka’s torture machine from In the Penal Colony. [via A Piece of Monologue]

This is the first I’ve heard of new editions of Julio Cortázar’s Blow-Up and Hopscotch comingfrom Pantheon. [via JACKET MECHANICAL]

Photographs of Lucian Freud go on sale. [via The Telegraph]

tUnE-yArDs’ African Music Mix. [via Pitchfork]

The upcoming Flying Lotus LP, Until the Quiet Comes, features Thom Yorke on a track. [via Consequence of Sound] I remember reading that Jonny Greenwood would feature on another track as well, but I’ve lost the link.

John Gray vs. Slavoj Žižek. [via A Piece of Monologue]

Bulletin

The main feature was last week’s quick impression piece on The Dark Knight Rises.

Also on WKLC this past fortnight:

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Rojak: Rainy day special feature.

Rojak is a regular collection of assorted links as well as a bulletin summarising the week (or thereabouts) on this blog.

Assorted

A Jennifer Egan story (“Black Box”). [via The New Yorker]

Preview the Beach Boys’ new album, That’s Why God Made the Radio. [via Consequence of Sound]

New Alice Munro, Dear Life: Stories, incoming. [via Book Depository]

A new Chromatics video. [via YouTube]

Bob Dylan receives his Medal of Freedom while looking somewhat nonplussed. [via Alex Ross: The Rest Is Noise]

Wuthering Heights comics. [via Hark, a vagrant!]

And some tUnE-yArDs for a fine rest-of-the-weekend. [via Vimeo]

Bulletin

Don’t miss my summer reading list.

Also on this past fortnight:

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St. Vincent x tUnE-yArDs

Annie Clark of St. Vincent and Merrill Garbus of tUnE-yArDs fame have a chat! [via YouTube]

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Coachella live streaming round-up.

So, as you may have noticed, I was streaming Coachella on YouTube over the last couple of days or so. I managed to catch (in the order I remember catching them) honeyhoney, Arctic Monkeys, the Black Keys, St. Vincent, half of the Shins’ set, Bon Iver, Radiohead, tUnE-yArDs (on rebroadcast), the Weeknd, and Modeselektor. I thought the strongest sets were on Day Two, and I particularly enjoyed the performances by St. Vincent and Radiohead.

Before that, here is the Real Estate set that I didn’t manage to see.

[via YouTube]

Here is tUnE-yArDs with “Bizness”.

[via YouTube]

Here’s St. Vincent’s set, which swept me off my feet. Check out the crowd-surfing in “Krokodil”. She is utterly captivating.

[via YouTube]

And here’s the Radiohead set in two parts.

[Part One via YouTube]

[Part Two via YouTube]

I thought the more recent songs came off the best, and I’m recommending “Morning Mr Magpie” (16:20 into the first part) and “Identikit” (the start of the second part) as highlights. The opener, “Bloom”, was swirling, gigantic, and wonderful too, so that gets special mention as well.

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“My Country”

Here’s the new tUnE-yArDs video, featuring “My Country” off of her excellent album w h o k i l l. [via YouTube]

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Rojak: Back in business.

Rojak is a regular collection of assorted links as well as a bulletin summarising the week (or thereabouts) on this blog.

Well, supposedly. It’s been a while since I’ve done this proper.

Assorted

tUnE-yArDs performs “Bizness”. [via YouTube]

The Economist chats with FSG’s Jonathan Galassi. [via The Economist]

The Slavoj Žižek book of jokes. [via The Guardian]

How the brain perceives art. [via Wired]

A peek at Beckett’s Watt notebooks (and doodles). [via Harry Ransom Center]

Play ancient Greek mythological punishments as games. Games that you cannot win. [via Kotaku]

Bulletin

The main feature these past couple of weeks has been my “Year in Music” round-up.

Apart from that, and among other things:

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Cesária Évora

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Year in Music, Class of 2011

No, I don’t like lists. I don’t like making them (it’s a lot more work than it looks) and I don’t usually like reading them. Nevertheless, I find that a yearly music list is useful for remembering the year in culture given how much music actually gets released these days. It also gives you something to read during the Christmas break.

It’s not a best-music-of-2011 list and more of a favourite-music-of-2011 list. The idea, of course is that they should overlap in the right areas.

In an attempt to avoid some of my disagreements with the idea of lists, I’ve put my favourite albums on mine in no particular order except the alphabetical one. However, I’ve used a three-tiered system with a crappy academic metaphor in order to give a broad differentiation with regards to the music that I liked (Second-Upper!), the music that I loved (First-Class Honours!), and the music that was significant/important (in my view, of course) while being both of these things (Dean’s List!).

Right, let’s not waste time and get right into it.

Dean’s List

Father, Son, Holy Ghost, Girls

["Vomit" via YouTube]

Eschewing the emotional complexity of Broken Dreams Club for something more direct and intuitive while also preserving the richness and thoughtfulness of the EP, Girls return with an album that furthers their enterprise in exploring the limits of the pop vernacular. Father, Son, Holy Ghost is both a statement that the band understand their own magic and one of the year’s highest musical achievements.

The King of Limbs, Radiohead

["Bloom" via YouTube]

From the swirling and gigantic opener “Bloom” to the shimmering “Separator”, The King of Limbs unfolds within a carefully-devised two-part structure. The first is eerie, skittering, surreal, and ramps up the tension before the ethereal “Lotus Flower”. The second is restrained, rich, and melodic, unwinding the work of the first half into its resplendent conclusion. A divisive album among critics, but definitely one of the year’s great albums in my view.

Let England Shake, PJ Harvey

["The Words That Maketh Murder" via YouTube]

Our history of violence isn’t a new topic, butit isn’t every day that it is handled with such maturity and grace. The pop music vernacular is perhaps supposed to be limited in scope and impoverished in expression, but as Polly Jean Harvey has (and in a different way, Girls have) shown, it’s capable of saying much more than it has a right to.

Strange Mercy, St. Vincent

["Cruel" via YouTube]

Fresh, assured, catchy, and sometimes deeply unnerving, Strange Mercy negotiates a difficult tension between the more straightforward aesthetic pleasures of popular music and a highly complex emotional terrain with incredible dexterity. (And just listen to that guitar on “Cruel”.) I can’t wait to see what she thinks of next.

w h o k i l l, tUnE-yArDs

["Doorstep" via YouTube]

When I first heard “Bizness”, it was something of a revelation. w h o k i l l is a brilliant conjunction of atonal melodies, complex percussion, and an inventive use of loop effects with a magnificent voice to top it off. But the album is far more than the sum of its parts, an endlessly thrilling creative journey that tackles themes of nation, society, violence, and ugliness.

First-Class Honours

50 Words For Snow, Kate Bush

["Wild Man" via YouTube]

Like some of the other musicians on this list (Cass McCombs and the Weeknd), Kate Bush released two separate records this year. This second album of new material is striking, and sees the musician fully at ease with her own craft. Restrained, carefully balanced, and ultimately haunting, 50 Words For Snow shouldn’t be missed.

Anna Calvi, Anna Calvi

["Suzanne and I" via YouTube]

In my own fiction, I had dreamed up a singer with a larger-than-life image, an immense stage presence, a darkly operatic take on rock music, and a hint of androgyny. Early this year, I discovered someone quite like her in Anna Calvi, and I’ve been in love ever since.

Biophilia, Björk

["Crystalline" via YouTube]

Also a divisive record for the critics, Biophilia was touted as a multimedia art project during its release. Specific to the album, however, I am of the opinion that this is among some of the most beautiful music that Björk has produced. (This album was really close to making the Dean’s List, but I had to be picky, so it missed out very narrowly. Not that it’s any less of a brilliant album, though.)

Helplessness Blues, Fleet Foxes

["A Shrine/An Argument" via YouTube]

It was difficult to imagine how anyone would construct a follow-up to the rather excellent and ambitious Fleet Foxes back when that first album surfaced. Not a problem. In Helplessness Blues, the band manages to sound new and exciting without dismantling the sound they had established in their debut. The result is memorable and grand, and a fine musical adventure.

Nuestra, La Vida Bohème

["Radio Capital" via YouTube]

While technically released in 2010, this album gained traction on the international music scene only after its North American release in 2011. (A couple of award nominations certainly helped.) A delightful blend of the Ramones, the Clash, U2, and a whole host of other influences, their music is thrilling, danceable, and thoroughly entertaining.

Second-Upper

Finally, a look at some of the other music that I enjoyed this year, but couldn’t quite find the space for above. Unfortunately, I can’t afford as much (ahem) real estate to these entries, but note that they’re all wonderful albums and you certainly stand a good chance of finding something to love in here. One man’s meat is another man’s wagyu beef.

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Summer Reading (And More) List 2011

It’s summer, and always a good time to plan a reading/watching/listening list. Here are some suggestions that you might want to consider. I’ve got books, music, and film: something for everyone!

Books

alphabet, by Inger Christensen
Poetry
2001
Originally titled Alfabet (1981)
Translated from the Danish by Susanna Nied

The common wisdom is that something gets lost in all translations, and that poetry stands to lose more than fiction in this regard. (I take my personal stance on this from the great Nicanor Parra–that is, the idea of anti-translations: since true translations are impossible in principle, the task of a translator is to reinterpret.) Nevertheless, I think we can all agree that you can always find something in good poetry, and with that frame of mind, I recommend this brilliant collection by the Danish poet Inger Christensen. With masterful control and brilliant imagery, this is moving, frightening, and ultimately inspiring poetry.

Just Kids, by Patti Smith
Memoir
2010

Patti Smith is awesome. No one can ever change my mind on that. This book quite nearly matches her overall awesomeness. A poetic memoir focussing on her relationship with Robert Mapplethorpe, the book brings with it such sincerity as to approach purity. To put simply, it is a book that reminded me of the possibility of beauty in each of us.

Small Memories (or Memories of my Youth), by José Saramago
Memoir
2010
Originally titled As Pequenas Memórias (2006)
Translated from the Portuguese by Margaret Jull Costa

A very different kind of memoir, this covers the late Nobel laureate’s early years in his distinctively fabulist and grandfatherly way. Beyond being a testament of his extraordinary abilities as a storyteller, it is also a fascinating book full of humour, compassion, and a characteristically deep and nuanced appreciation of life.

Ghosts, by César Aira
Fiction
2009
Originally titled Los Fantasmas  (1990)
Translated from the Spanish by Chris Andrews

César Aira is a sort polarising figure in the world of contemporary literature. Supporters point out his amazing imagination, his at times truly remarkable powers with language, and the juxtaposition between the complexity and brevity of his novels. Critics, on the other hand, are often able to point out certain fatal flaws in his writing. Sometimes he seems completely frivolous, and sometimes he leaps into banal pseudo-philosophical litanies, and the like. Always a different fatal flaw.

For me, he is special simply because I can’t think of anyone else like him in this day and age. For the uninitiated, don’t think of his writing the way you would with other writers, and don’t think of his novels as traditional novels. Go in without those expectations and you may just find yourself rewarded with some of the most imaginative writing in contemporary literature.

The Long Goodbye, by Raymond Chandler
Fiction
1953

Arguably the greatest of the Chandler books (though we could have a debate on that all day), The Long Goodbye is so good that it hurts. Philip Marlowe returns in a mystery that involves a drunkard, a war, a 5000-dollar bill, and of course a dangeours woman. It’s always a good time to read some Chandler.

Stitches, by David Small
Graphic Novel
2009

This autobiographical graphic novel is one of the best books I’ve read recently. At its heart is the story of throat cancer and how the author literally lost his voice. Affecting, Kafkaesque, and gorgeously illustrated, Stitches is an example of the graphic medium at its very best.

City of Small Blessings, by Simon Tay
Fiction
2009

I read less local fiction than I would like to, but let me just say that we could do with more writing like this. Simon Tay’s excellent novel deals with themes of time, modernisation, generation gaps, love, and loss.

The Your Face Tomorrow trilogy, by Javier Marías
Consisting of: Fever and Spear (2004); Dance and Dream (2006); and Poison, Shadow and Farewell (2009)
Fiction
Originally titled Tu rostro mañana
Consisting of Fiebre y lanza (2002); Baile y sueño (2004); and Veneno y sombra y adiós (2007)
Translated from the Spanish by Margaret Jull Costa

The longest book on this list (well, technically three books, but a collected edition will be out this year), this is the main course on my own summer reading list. Marías’s sprawling literary project, translated by the ever-brilliant Margaret Jull Costa, features a translator–what else?–embroiled in a spy-novel plot.

Five Modern Nō Plays, by Yukio Mishima
Theatre
1957
Translated from the Japanese by Donald Keene

I’m not the biggest Mishima fan (not in the sense that I have no interest in his work, but that I think you can always find someone who is a bigger fan), but I absolutely adore his theatre work for the way they make seemingly outmoded forms appear so relevant and refreshing again. The five plays collected here reinterpret the Nō form while preserving a respect for its traditions and rules of engagement.

Film

The Enigma of Kaspar Hauser, directed by Werner Herzog
1974
Originally titled Jeder für sich und Gott gegen alle

Werner Herzog’s classic film about the German legend of Kaspar Hauser was my first ever Herzog film and one of my permanent favourites. A lyrical and philosophical film, Herzog presents a mystery of a man through a series of striking images, and leaves us to ponder the relevance of his struggles and his dreams to our own lives.

Still Life, directed by Jia Zhangke
2006
Originally titled 《山峡好人》

Jia Zhangke is one of the best directors working today, and Still Life shows exactly why. Stately, melancholic, and gorgeously photographed, the film is centred around a coal-miner in search of his divorced wife and a nurse in search of her husband against the backdrop of the Three Gorges Dam development. Among other things, it is a meditation on the infringement caused by human presence in the immensity of nature, the tragedies and blessings of modernisation, and the struggle to preserve the most basic relationships in the face of these forces.

Millennium Actress, directed by Satoshi Kon
2001
Originally titled 千年女優

This film is vintage Satoshi Kon, who admittedly didn’t direct too many projects but was nevertheless one of the greatest directors to grace the anime industry. Millenium Actress is a post-modern look at the constructedness of our lives (through the lens of film, in this case) and also a love story that will move even the stone-hearted. It encapsulates a good portion of the genius of a director who continues to be a great creative influence in my own work and was simply gone too soon.

Charade, directed by Stanley Donen
1963

Starring Cary Grant and Audrey Hepburn, this immensely entertaining film is at once suspence, romance and comedy in the finest tradition of Hitchcock. A wonderfully lively script, two stars who are certainly very easy on the eyes, and an excellent grasp of suspense combine to make this a great summer film.

Uncle Boonmee Who Can Recall His Past Lives, directed by Apichatpong Weerasethakul
2010
Originally titled ลุงบุญมีระลึกชาติ

Last year’s winner of the Palme d’Or is a film both elliptical and strange. Centrally dealing with the character of Uncle Boonmee and his various ambiguous past lives, this film trades in beauty, horror, humour, and mystique. Most of all, Apichatpong Weerasethakul’s film resists easy interpretation or classification, and it is in this open-endedness and complexity that we may find its greatest beauty.

Music

Metropolis: Suite I (The Chase), by Janelle Monáe
2007, 2008 (special edition)

O Janelle Monáe. It is sometimes hard to believe that you aren’t really a cyborg girl with your multitude of irresistible talents. Having released her excellent first full album last year, let’s take this summer to take a look back at where it all started. A wonderfully strange mix of Motown and science fiction, this EP is the perfect introduction to the work of an incredible musician.

Modern Times, by Bob Dylan
2005

The third in Dylan’s later trilogy, Modern Times exudes the poise, composure, and venom of a master of the craft in his late years. Injecting new life into apparently outdated music genres (much like Mishima and theatre), drawing upon–who would have thought?–Ovid, and performed with utter clarity, Modern Times is a monument in modern music.

Symphony No. 9, performed by the Berliner Philharmoniker and conducted by Claudio Abbado
Composed by Gustav Mahler
2002

Probably my favourite of the Mahler symphonies, this particular interpretation is really quite good, though we too could debate this all day. In any case, if you’ve never heard Symphony No. 9 before, there’s no excuse. And if you have, well, there isn’t one either.

w h o k i l l, by tUnE-yArDs
2011

My favourite music discovery of the year so far (though Anna Calvi comes a close second), my first exposure to the music of tUnE-yArDs hit me like a gust of wind. Compelling from start to finish, the music here is a powerful statement of individual expression.

A Night at the Village Vanguard, by Sonny Rollins
1957

Probably one of the greatest live albums of all time, this record manages to capture the magic and intimacy of one of jazz’s true masters.

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